Monthly Archive for September, 2005Page 2 of 2

Satoru Yoshioka photography exhibition

We often look back at our school years as the golden times. Ah…nostalgia. 12 hours of darkroom labs, hands that smell of peanut butter/developer, living on Ding Dongs and Diet Coke. Those were the good ol’ days.

photograph by Satoru Yoshioka of a bridgeI was particularly lucky to study photography with an amazing group of students. Satoru Yoshioka, Mark Waters, Dan Sturt, Jonny Donhowe, Susan Coppock, Meredith Hodge, … However, Satoru had a major impact on the way I saw photography. His images are full of mystery. He doesn’t try to capture the scene, rather he seems to capture a moment in time. The viewer is left to wonder what is going on, what is next, what just happened?

When I shoot for myself, I find Satoru’s images guiding my eye. I still use the instant Polaroid film that he used in school. I still use some of the unorthodox methods he discovered in the darkroom and studio. I still hope to capture the images that are in my mind, the way that he does.

Satoru is having an exhibition in San Diego this week. The opening reception is Friday, September 9 at Simay Space.

Subway movies

I live in a subway-less city, San Diego. We have an above ground trolley that is nice and easy to ride and sometimes even has great landscapes to watch. But it isn’t the same experience as staring out a window at the dark, pock-marked walls of a subway system.

I travel regularly to Paris and find myself staring out the metro windows, watching the blur of wires, pillars, cracks of light, and yes, the reflections of other riders. I’ve often thought it would be great to somehow create a moving visual experience for the riders. I tried to figure out how images could be placed on the walls to mimic the crude movies of early cinema.

Artists in New York have added a new twist to subway graffiti. Parasite (.mov movie) is a portable computer/projector that attaches to the outside of a train. It projects movies onto the walls as the train travels through the tunnel. This is exactly what I was visualizing and bravo to the artists for bringing it to life.